Meredith Axelrod

• Acoustic
• Blues
• Jazz
• Roots

Delightfully engaging and unassumingly comic, Meredith Axelrod envisions the limitless potential of early twentieth century music, whether it be Ragtime, Music Hall, Pop Standard, Boogie Woogie, Tin Pan Alley, String band, Jazz, Country, Blues or even Jug Band music, and embodies the spirit that brought the music into existence in the first place.  Her vocal style is unusual, probably because she learned to sing by listening to how folks did it a century ago – through the medium of cylinders and 78-rpm records.

The dominant theme throughout her expansive repertoire, is that, whatever the genre, these are songs she learns from the original sources (records and / or sheet music) which were released  between the 1890s and the 1930s. Part of the allure of old time music, indeed any music throughout the history of recorded music, is hearing the original recordings as played and sung by the original performers in their heyday, loving what they’re doing and doing it because it means something to them in that moment, never because of nostalgia, and Meredith brings the same unbridled passion, earnest devotion and candid vitality to all of her music; she has found possibility and joy in  the treasures of cultural folklore.