Julian Velard album release, Jake Manzi opens

August 12, 2017 8PM
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$20 / 18

Victory has a hundred fathers and defeat is an orphan — at least, that’s how the old saying goes. But as passionately as we’re conditioned to strive for first place in our success-driven world, deep down we all know we’re our truest selves when we’re confronted with failure. It’s a sobering subject, and perhaps not the first you might expect to inform a hook-filled, piano-driven pop album, but Julian Velard isn’t your average recording artist.

The New York-based singer/songwriter’s fifth full-length LP, Fancy Words for Failure, surveys that universal chasm of disappointment with the bemusement reflected in the its title. Suffused with the same musical warmth and melodic sophistication fans have come to expect, the album adds another batch of unforgettable characters to Velard’s growing gallery of hangdog rogues — potentially unreliable narrators who cop to professional jealousy, domestic discord, thwarted ambitions, and money woes; who acknowledge their lives are really pretty great, even as they can’t help but wonder why that brass ring remains stubbornly out of reach.

Leavening the melancholy strain that runs through the record is the classic songcraft that’s earned Velard a devoted cult following (and helped make him an unlikely favorite among pop connoisseurs in the Netherlands). Fans of Billy Joel’s early Brill Building eclecticism and Randy Newman’s acid wit will hear strong echoes of those traditions in Fancy Words for Failure, which — much like its songs’ protagonists — tucks its darkest moments behind a quick joke and a (mostly) sincere smile. As a songwriter, Velard continues to mature, weaving together chord changes that belie the depth of his musical background without ever forgetting the value of a hummable hook.

Title notwithstanding, Fancy Words for Failure finds Julian Velard honing his creative craft while balancing his growing discography against a number of other musical gigs, including a relationship with The Howard Stern Show as the bandleader on the long-running radio hit’s wrap-up segment, a guest musician spot on NPR’s Ask Me Another, and a jingle-singing sideline that’s put his voice in spots for Coca-Cola, Wix.com, Google, and the New York Knicks. Along the way, he’s also co-written extensively and landed a number of cuts (including a song on Olly Murs’ debut LP) and toured extensively, sharing international stages with a growing list of acts that includes Paul Carrack, Jamie Cullum, Amy MacDonald, José González, and Goldfrapp. Raw and honest, bruised yet hopeful, Velard’s latest proves Failure isn’t the end — if anything, it sounds like he might just be hitting his stride.




It's not time to make a change / Just sit down, take it slowly
You're still young, that's your fault / There's so much you have to go through

​Sound advice…but this isn’t really something that can wait.

Jake Manzi has stories to tell. They are well-crafted realizations of his current place in the world, where he wants to go, who he wants to take with him.

The stories are wrapped up in a sound that remembers Jackson Browne’s “Late for the Sky” as much as it references the modern sound of Bahamas’ “Bahamas is Afie.”

Manzi’s guitar, his voice, and his need to tell these stories, are his birthright.

​His father was on MTV once, playing in a band. His cousin Angelo plays the ukulele. His brothers can sing and play, just like his aunts and uncles did before them. They all play still, the whole lot of them, at informal (but mandatory) Sunday dinners where they break out new songs, old songs, and songs from the Old World.

​It is from this setting that Manzi has emerged with his guitar and a passion for delving below the surface of things, where the real stories are told.

​Manzi’s debut is called “Singing to the Wall.”

​These are his stories.

​“At least some of them,” says Manzi. “This is a blueprint, a sample of where I want to go with my music.”

​The recording features guitarist Caleb Rosazza, bassist Jacob Rosazza, and drummer Jake Edwards. Just below the surface you will hear his cousin’s ukulele, his father’s voice, and the breadth and depth of his heritage.




Please note that the seating chart has recently been updated, so be sure you are purchasing the seats you want.  If you do not purchase all seats at your table, other patrons may be seated with you.  Your ticket reserves you a place at the table you select but not a specific location at that table.  There is no food or beverage minimum.  All tickets are non-refundable.

$20 / 18
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